6.20 – His Way – DS9 Review
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I dunno. “His Way” is probably a bad episode. It’s certainly soapy and mushy and runs for far too long. But I like it. It’s probably the Sinatra-style lounge music and setting and dialogue. Maybe it’s the story of being true to yourself. Whatever it is, the episode can be a thoroughly fun, distracting hour.
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This episode introduces the holographic character of Vic Fontaine — a lounge singer who borders on sentience. It also addresses the long percolating romance between Kira and Odo. Frustrated at his own inaction, Odo turns to Fontaine for advice on how to woo Kira. So Odo dresses in a tux, pretends to play piano and learns to lighten up, enjoy himself and, more importantly, let his emotions show through enough to let people see who he really is — beyond the overly stoic constable with whom everyone interacts.
In many respects, the episode is reminiscent of Data’s exploration of humor in “The Outrageous Okona.” But here’s the lessons are more meaningful. Plus, it’s fun to watch. Vic, who is a love-him or hate-him character, ultimately teaches Odo to relax and be himself — to have confidence in who he is as a person. And really, that’s where this episode has its most value.
And, I suppose if you’re going to explore the relationships between main characters, it’s worth doing so in the context of a musical-comedic-romantic installment. In a way, it’s a bit like the series showing the viewer that it’s not taking itself seriously. Indeed, I think the Kira-Odo coupling could have been a lot worse had this episode been built around a tense, melodramatic romance. The lighthearted approach accomplishes the same goal, while also providing a bit of overall balance to the series.
And unlike the Ferengi episodes (which do have their value in terms of providing needed comic relief), this one isn’t steeped in an endless parade of annoying Ferengi voices and mannerisms. It’s got way-cool music, daddy-o.
But there are legitimate reasons (stylistic choices aside) that people may not like the episode. The songs are fun … but there are an awful lot of them. Odo’s lessons go on for what feels like a week (it is a week within the timeframe of the episode, but it shouldn’t feel that way to the audience). And the story is hopelessly soapy. All of which is enough to turn viewers off to what is, otherwise, an amusing bit of fluff.
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On the whole, I think “His Way” is an above-average outing. It certainly has its flaws. And its choice of style (along with the character of Vic Fontaine) is sure to be a detriment to many viewers. But the style and character of Fontaine are both likable enough. And the episode’s central message, of being true to oneself, is a worthy one. I think this is one of those cases where the end result is greater than the sum of its parts.
Filed under: Deep Space Nine





I love this episode! Equal to In The Pale Moonlight, sort of.
Just a year before this episode we had the last and most violent Klingon episode in a couple of years, I’m glad we got it over with. This episode could have taken its place. I think “His Way” is very much “Trouble with Tribbles.” In fact, it’s an episode all about song and dance without being as corny. And I prefer Kira singing to Klingon voices. This production took a lot of hard work, much more than a bottle show masterpiece like “Duet,” although it probably wasn’t planned to be anything more than that. I wish viewers could see how much hard work they put into one of my favorite episodes. The acting, what comes after the episode, the corny dialog. I put it on par with “Trouble with Tribbles.” The episode works perfectly, it’s a perfect example of what an episode should do.
James Darren’s voice was actually the most annoying part of the episode, but this was an episode that was planned out and well-planned.
You thought this episode was good partially because of James Darren, and I thought this episode was good for… everything else. Yes, it was partially un-Deep Space Nine, but Deep Space 9 did “Far Beyond the Stars,” which had nothing to do with science fiction. The fact that the episode did this is praiseworthy. I think this episode transcends science fiction in the same manner you said “Far Beyond the Stars” did.
I was pleasantly surprised that the director allowed the songs to be sung through for so long: most television episodes feature a few seconds of a song and then resume the talking. I especially enjoyed Nana Visitor’s complete song in all its sultriness.
Nana Visitor gives Peggy Lee a run for her money with her rendition of “Fever.”